图书馆研究

图书馆研究 ›› 2019, Vol. 49 ›› Issue (4): 107-112.doi: 10.3969/j.issn.2095-5197(2019)04-0107-06

• 用户与教育 • 上一篇    下一篇

《四库全书总目》“雅体”论中的文化观念

蔡智力   

  1. 湖北大学历史文化学院，湖北 武汉 430062
  • 收稿日期:2019-03-05 出版日期:2020-01-09 发布日期:2020-01-09
  • 作者简介:蔡智力(1985—)，男，讲师，博士，研究方向：四库学，文化文献学，思想文化史。

The Cultural Concept of the Elegance Form Discourse in Siku Quanshu Zongmu

CAI Zhi-li   

  1. School of History and Culture of Hubei University, Wuhan 430062, China
  • Received:2019-03-05 Online:2020-01-09 Published:2020-01-09

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摘要： 从文体论的角度分析，《四库全书总目》“雅体论”可归纳出风雅、奥雅、高雅、清雅与雅丽等不同体貌样态，其中典雅意味着对典重、醇正价值的强调，奥雅侧重于通过学问或感思实现对浅俗的超越，高雅与清雅则分别蕴含了“以高逸俗”与“以清涤浊”的文化逻辑，而雅丽作为兼涉“文”“雅”两个范畴的复合性体貌则意味对既鄙且俗的蔬笋气之祛除。

关键词: 《四库全书总目》；古典文论；体貌；雅俗；蔬笋气

Abstract: This paper aims to research the idea on elegance form in the literary criticism of?Siku?Quanshu?Zongmu, which includes different forms, such as “dian-ya”, “ao-ya”, “gao-ya”, “qing-ya” and “ya-li”. “Dian-ya” means classical and normal, while “ao-ya” emphasizes a transcendence of vulgarity via knowledge and inspired thought, “gao-ya” and “qing-ya” describing the elegance form through image of height and washing, and “ya-li” is a complex form involving both ornament and elegance.

Key words: Siku?Quanshu?Zongmu; classical literary theory; literary form; elegance and vulgarity; “shu-sun qi”

中图分类号: 

  • G256